On Wednesday the 24th of July the Hogeschool voor de Kunsten Utrecht photography graduate students had the opening for the exhibition The New Ones.
Op 7 April organiseren Het Cobra Museum & FOTODOK een symposium over de rol van de vrouwelijke fotograaf in de documentaire fotografie.
Suddenly they arrive at a conclusion, and all the subjects are boiled down to one concept: power.
Who’s in control? This question implies that when you can’t directly attribute a power there has to be a shadow power in existence, and that interferes with transparency...
In Who’s in control? FOTODOK presents (inter)national photographers’ work that shows us how to look with fresh eyes at the underlying structures of societal changes of today.
The jury was impressed by the intelligent and meticulous proposal. The visual language is just as intriguing as the concept. The subject offers an interesting view onThe New We:
Suzan Steenman of WOMEN Inc. and photographer Daantje Bons talked about gender image in the workplace. A subject that’s hugely influenced by the media, and where both the world...
What’s more fun than, together with art lovers, enjoy good food, listen to inspiring speakers and get a guided tour by the curator with a glass of wine in your hand? Each...
Last Thursday night the first ‘Sceneries-event’ took place linked to the new FOTODOK exhibition ‘WHY WORK?’. Our guests enjoyed an evening with a guided tour, a meal...
As in other Sceneries evenings we discussed a central theme that links to the exhibition ‘Why work?’: the digital revolution. While our visitors enjoyed their dinner taken...
“Ha, they’re wearing shark masks!” A small group of children looks fascinated at a photograph of two little boys at the beach wearing toy masks. They start associating...
On Thursday the 5th of April, FOTODOK’s 14th edition of the Book Club took place at Tivoli Vredenburg in Utrecht. Guests this evening were Robin de Puy, Christian van der Kooy...
Together with Foundation Dialogue, FOTODOK provides the opportunity to a starting photographer to create a documentary around the theme ‘The New We’. The photographer...
It’s by now a tested recipe and starts every year around November. I look back at the last edition, gather tips from colleagues for new photographers, check the existing...
How do we communicate trust between the photographer and subject? How can the richness of cultural history be translated into the static photographic image? And can we ever...
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